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I was born in Indianapolis, Indiana and came of age at the height of the preppy craze. For some unfathomable reason, my grandparents had a subscription to The New Yorker and every week, I'd paw through it daydreaming about a glamorous future where I'd be a celebrated stage actress living in sin with some hot, devoted trumpet player in a Greenwich Village loft with a skyline view that I've since learned is only possible from Brooklyn or New Jersey. After graduating from Northwestern University with an impractical, expensive degree in guess what, I embarked on an exciting career as a waitress, with occasional time-outs for globetrotting of the dirty backpack, banana pancake variety. In 1988, I joined The Neo-Futurists, a Chicago theatre company notable for presenting 30 original plays in the course of 60 minutes and ordering pizza for the audience whenever the show sold out. Greg Kotis auditioned for the ensemble in 1991 and fortunately, we cast him because otherwise, I might not have married him and moved to New York City where we rented a 340-square-foot apartment in the East Village for $1150 a month. Boy, were we surprised when a big old stork swooped down a year later, especially since the baby it dropped off had three thumbs and required immediate treatment in the Neonatal Intensive Care Unit. On Inky's first birthday, I put out the first issue of my zine, The East Village Inky which was and still is written and illustrated entirely by hand because computers tend to take a digger when I'm around (This Web site was engineered by Dave Awl, an old buddy from the Neo-Futurists.) After a few years, the shadow of the stork fell upon us again and we moved to Brooklyn. Milo was born underwater so lickety split, he almost came out in the Tompkins Square playground. Greg wrote Urinetown! (the Musical) which, to everyone's amazement, made it all the way to Broadway and now he's such hot doodie he might burn you, so don't touch him! Don't tell him I called him hot doodie either because he's rigorous about his modesty and I already drew a couple of pictures in The East Village Inky where he dances around naked. I eschewed housekeeping and wrote a book called The Big Rumpus so I could remember what life was really like when my children were small and so that you'd have something to purchase in bulk for Mothers Day and every other major holiday. Then I had to write another book in case you pride yourself on hating kids
or break out in hives at the thought of reading another birth story. My second book is called No Touch Monkey! The ranking brass in the East Village Inky
guerilla marketeering squad think it'd make an excellent present for
everyone who received a copy of The Big Rumpus from you last year, not to
mention the special dirty backpacker in your life. Gosh, playing in the ashtray of my tattered memories was such fun, I started rooting through all the crappy day jobs I held while pursuing an elusive dream of life on the golden-but-not-nearly-wicked-enough stage. If you, too, have suffered the slings and arrows of outrageously low-wage fortune, reading Job Hopper is going to feel like taking off your girdle. If you've been pulling down six figures since the day you graduated B-school summa cum laude, reading Job Hopper is going to feel like taking off someone else's girdle. Did I mention that I'm BUST magazine's Mother Superior columnist? Do you think they'll fire me when then find out I'm not Catholic? The latest dough to come pumping out of the template is Dirty Sugar Cookies: Culinary Observations, Questionable Taste. The publisher's calling it a love letter to everything I've ever eaten and a few of the things I wish I hadn't. I might add that it's got one of the gnarliest indexes I've ever seen, short of The Merck Manual. It made me so hungry, I had to start a food blog just to justify some of the crazy things I've been stuffing in my pie-hole.
xo,
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